After Ladi Kwali, Danlami was the best modern potter in
Nigeria. He learned at the Pottery Training Centre set up by Michael Cardew in
Abuja. He was good, so I asked Michael if he would take him on at Wenford
(Cardew’s own workshop in the UK). He did. He thought Danlami was outstanding
and arranged for the pots he made there to have a show at the Commonwealth
Institute, London.
It was well reviewed in 'Crafts' (Another UK journal for
Potters). After Wenford, Danlami went to Farnham College to learn about kiln-building.
In the Thesis he wrote at the end of his course, he compared the pottery made
at the Training Centre with the pots his mother used to buy locally. This
thesis was published whole in ‘Pottery Quarterly’. Out of respect for Michael
he gave it to him in person.
On the train to Cornwall, Michael's wife Mariel read it and
was so moved by it tears ran down her cheeks, charmed by his simple way of
writing and the Africanisms which made it so vivid. Michael read it and was
silent. A comment made by Danlami in a spirit of humility, not of criticism,
devastated Cardew: “too complicated for us" is what Danlami wrote of the
Centre.
The Training Centre and the fifteen happiest years of
Cardews life that he had spent setting it up, were deemed a failure. “Too
complicated", those two words haunted me too and fundamentally changed the
way I taught when I returned to Nigeria.
By this time, fifteen years after Cardew left, the Abuja
training centre was in decline. After a further six years Danlami, having been
overseas and now understanding it's significance, together with Umaru his
brother and myself, decided to do something about it. We built a new pottery at
Maraba, modelled on the original one at Abuja, hoping to recapture the
extraordinary spirit it had while Michael was there. It was successful. Danlami
stayed longer than I did and gave it a sound basis which enabled it to expand
and last twenty years after he left. To this day there are more good throwers
(potters) in Maraba than in the rest of Nigeria.
The other things Danlami did there would be of little
interest here, except his ‘regiment’ as he called them, - his fifteen children!
To spend a day in his compound was a pleasure, the younger ones were beguiling
and so well behaved with inquisitive little faces, the adolescents graceful and
friendly.
Danlami is well remembered in the UK when he was a student.
He was young and handsome, a joker, popular with everybody.
In Minna, as news of his death spread, crowds filled his
compound. People from all walks of life from top civil servants (the Governor
sent a representative) to poor potters who - came from Maraba two hundred miles
away. He was very well liked and it was a great tribute, but how sad he has
gone, he was only 59. What a pity so little of his brush decoration has been
seen (and valued). He saw Cardew’s work but his is different. It is so skilful
that it is surprising it shows no trace of showmanship, instead it is simple,
not the simplicity achieved by minimalism, but by a simplicity of spirit which
sings as pure and as natural as a bird's song. Michael Cardew thought him
outstanding and so he was.
This
obituary was written by Micheal O’Brien for ‘Ceramic Review’, a UK Journal for
Potters.
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